Velvet teen we were bound
Elysium is the second studio album from The Velvet Teen. A special edition version of the album was released in Japan only with a bonus DVD. The album was also pressed on double 10" vinyl and released through Pandacide Records in June , featuring a bonus track. Elysium features absolutely no guitars, instead relying on keyboards and string and horn arrangements. Logan was diagnosed with brain cancer and left the band shortly before the album's release.
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Elysium (The Velvet Teen album)
"WE WERE BOUND (TO BEND THE RULES)" LYRICS by THE VELVET TEEN: Half-full loses weight once
Artist Name. Song Name. Sponsored Links. Half-full loses weight once you taste it So for now my empty glass must mean I've chased it But I'm not wasted and I'll not waste it The dealer laced it with a new decree of our separation How many have you taken? And I could run off at the mouth For hours on end, like I'd gone senseless But I'm just speechless Rendered me defenseless Barred from your presence, my name from present-tenses And yes, I've sensed this Since early August I'm not dense and it's obvious that you're more than just friends But I'm not against this I'll remove our fences And just hide in these sentencing sentences Till things can start making sense It's a roseate opiate ruse of roguish rouge That brings back my black and bruised blues The sea, our torpid frames pale upon the beach Entwined in love's sands, between those sheets Remember I mean, really think back now To the very last time you were happy And yeah, I know, got the job, got the family Got no free time, and still they'll take what's left.
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The Velvet Teen - We Were Bound (To Bend the Rules) Lyrics
Never mind that she's a superstar with one of the fattest contracts in recording business history. Janet Jackson wants you to know she hurts just like you. She knows what it's like to feel ugly, unloved and on the outside looking in.
Opening with an instrumental overture for dissonant instruments turning into piano sonata Sartre Ringo , Elysium Slowdance, vastly upped the ante and presented ambitious pop constructs such as the string-based easy-listening music with grand melodic arias of Penicillin and A Captive Audience , or such as the melodramatic crooning of Forlorn with fluttering synthesizers. The method peaked with the minute lyrical tour de force of Chimera Obscurant , propelled by jazzy piano chords into a soaring orgy of strings that almost obliterate the transfixed vocals. To punctuate Nagler's subdued rumination, the eight-minute We Were Bound architected a protracted agony of cellos leading to an eruption of sparkling synthesizers.
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